Fragments

Our living archive: essays, poetry, fiction, and film gathered across issues. A continuous record of the work we publish, updated as new pieces find their home here.

Linocut of a rusted garden gate and a corrugated shed roof, printed in a single rust red on sand-coloured paper

ARTWORK

The Colour of Rust

Dalia Serrat

A printmaker spends a summer mixing a single red for five prints of rusted things. On colour as a decision you make once and then live with.

Screen-printed illustration of two wooden chairs facing each other across a small table, in flat ochre and faded terracotta

OPINION & ARGUMENT

Translators Should Sign the Cover

Aurelia Stanek

Every word of a translated book was chosen by the translator, and yet their name is usually in small print on the title page. A translator of ten years argues it belongs on the front.

Linocut of a kitchen table with a bowl of lemons and a folded cloth, printed in ochre and warm brown

FILM & BOOK REVIEW

A Novel That Refuses to Leave the Kitchen

Mira Halloran

Clémence Aury's The Pantry Hours takes place over one year in one kitchen and never goes outside. In Tobias Wren's translation it is the quietest and most absorbing novel I have read this summer.

Screen-printed illustration of a small ferry crossing dark water at night, its windows lit in warm yellow

FICTION & PROSE

Night Ferry

Joaquim Brandeiro

The last boat leaves at twenty past one. A night clerk, a woman with a cello case and a crossing that takes eleven minutes and somehow lasts all night.

A pencil and a pair of folded reading glasses resting on a worn wooden table in warm window light

ESSAY & CRITICISM

Reading in the Margins of a Used Book

Ettore Castagnola

For twenty years a bookseller copied out the notes strangers left in the margins of second-hand books. On what those notes reveal, and why he never tried to find their authors.

Linocut of an allotment garden in winter with a tool shed, a water butt and rows of cabbages under snow, printed in ochre and dark brown

ARTWORK

Prints from a Winter Allotment

Dalia Serrat

Six linocuts cut over one winter in a shared allotment garden, and a note on why the cabbages got the most ink.

An old light switch on a plaster wall, a grey halo of fingerprints around the plate, lit by warm window light

PHOTOGRAPHY & ARTWORKS

Light Switches of Strangers

Noor Castellane

Two hundred frames of the most touched and least looked-at object in any home. A photographer on a series that turned into a diary.

Linocut of stacked cardboard boxes with a potted plant balanced on top, printed in ochre and brown

OTHER

A Glossary of Moving House

Leïla Ferrand

Boxes, deposits, the last night and the first morning. Eleven terms for the most common upheaval in a renter's life, defined by someone who has moved seven times in ten years.

An empty bus shelter on a quiet road at dusk, lit from inside with warm yellow light

FILM & BOOK REVIEW

A Film About Waiting for a Bus

Leïla Ferrand

Petra Valmont's Hollow Road is ninety-four minutes long and most of it takes place at a single bus stop. It is one of the most gripping films of the year.

Stacked wooden crates of ripe tomatoes at the edge of a field in low evening light

TRAVEL & REPORTAGE

Harvest Notes from a Borrowed Field

Sami Okafor-Reyes

The field belongs to a family who have not farmed for two generations. It is rented by a cooperative and picked by a crew who know it better than anyone. Three weeks of notes from a harvest on borrowed land.