Fragments

Our living archive: essays, poetry, fiction, and film gathered across issues. A continuous record of the work we publish, updated as new pieces find their home here.

A brass letterbox slot in an old wooden front door, lit by low warm sunlight

OTHER

Letters to a Future Tenant

Ettore Castagnola

Before leaving a flat he had rented for nine years, a writer left three letters in a kitchen drawer for whoever came next. These are the drafts.

Linocut of a rusted garden gate and a corrugated shed roof, printed in a single rust red on sand-coloured paper

ARTWORK

The Colour of Rust

Dalia Serrat

A printmaker spends a summer mixing a single red for five prints of rusted things. On colour as a decision you make once and then live with.

A beam of projector light crossing a dusty room towards a window with a sheer curtain, in warm amber tones

FILM

Shot List for a Film That Was Never Made

Hana Morrow

For three years a filmmaker tried to fund a short about her grandmother's last summer in a rented cottage. It never happened. This is the shot list, and what she learned from writing it.

A grass verge beside an empty road at dusk, a single street lamp just switching on, in warm hazy light

PODCAST

A Sound Walk Along the Ring Road

Kasper Nyholm

Fourteen kilometres on foot beside the road that circles the city, recorded in one evening. Notes for a listening piece about the places built for passing through.

An open kitchen drawer seen from above, holding string, candles, rubber bands and an old key, in warm light

POETRY

Inventory for a Kitchen Drawer

Mira Halloran

String used from both ends, two birthday candles and a key to a door we no longer have. A list poem for the drawer every kitchen has.

Screen-printed illustration of two wooden chairs facing each other across a small table, in flat ochre and faded terracotta

OPINION & ARGUMENT

Translators Should Sign the Cover

Aurelia Stanek

Every word of a translated book was chosen by the translator, and yet their name is usually in small print on the title page. A translator of ten years argues it belongs on the front.

Linocut of a kitchen table with a bowl of lemons and a folded cloth, printed in ochre and warm brown

FILM & BOOK REVIEW

A Novel That Refuses to Leave the Kitchen

Mira Halloran

Clémence Aury's The Pantry Hours takes place over one year in one kitchen and never goes outside. In Tobias Wren's translation it is the quietest and most absorbing novel I have read this summer.

Screen-printed illustration of a small ferry crossing dark water at night, its windows lit in warm yellow

FICTION & PROSE

Night Ferry

Joaquim Brandeiro

The last boat leaves at twenty past one. A night clerk, a woman with a cello case and a crossing that takes eleven minutes and somehow lasts all night.

A pencil and a pair of folded reading glasses resting on a worn wooden table in warm window light

ESSAY & CRITICISM

Reading in the Margins of a Used Book

Ettore Castagnola

For twenty years a bookseller copied out the notes strangers left in the margins of second-hand books. On what those notes reveal, and why he never tried to find their authors.

Linocut of an allotment garden in winter with a tool shed, a water butt and rows of cabbages under snow, printed in ochre and dark brown

ARTWORK

Prints from a Winter Allotment

Dalia Serrat

Six linocuts cut over one winter in a shared allotment garden, and a note on why the cabbages got the most ink.